Friday, 11 March 2011

Bat Soup

 Magpie Tales#56 serves up a tasty garlic prompt this week . . .


Grandma always wore black. I accepted this, as kids do. She was just Grandma. In black. I was about seven, I guess, when I asked her about it. 
   "I'm in mourning, child."
  "But it's afternoon, Grandma."  That's how kids are - short on knowledge but too logical for the grown-up world.
  Grandma explained 'mourning,' but not why hers went on so long.
  "Who for, Grandma?"
  "For your Granddad, child." She was at the kitchen sink, doing things to vegetables.
  Even at seven, this struck me as odd. Granddad was sitting at the table, reading the paper he called 'The Pink.' The Pink had all the football results and who had scored the goals and how many people had been at each match. When he finished with The Pink I liked to add up all the people at all the matches. I wondered where so many people came from and why they all watched other people playing football. I looked from Granddad to Grandma and back. I tugged her long black skirt and when she tutted me, I pointed at Granddad. I said nothing. Granddad hawked and shook his paper and said "The 'Ammers lost. Again. Three nil."
  "He's been as good as dead for years, child." Such things are puzzling at seven. Years later I began to understand what she meant, and came to wonder how my mother - Grandma's daughter - ever came into being. I couldn't imagine them, Granddad and Grandma, at it. I couldn't imagine Granddad, or anybody, at it with this angular lady, forever in black, her long boney hands always busy with vegetables or brush and dustpan or clearing the table for Granddad to sit at to read 'The Pink'.
  When she died, Grandma, I was nineteen. It was while I was at University. Mum phoned me in Hall to tell me. "You'll come to the funeral, Lucy?" It was a command disguised as a question.
  Afterwards, Mum said, "Your Grandma wanted you to have this. It's odd to say the least." She handed me a notebook, the old-fashioned foolscap size, hardbacked, black like Grandma. It was labeled, large letters in Grandma's hand, "Terrible Transylvanian Dishes." Weird, but apt. Sort of. Her name was Sylvia.
  All but the first page was blank, as if Grandma had started with good intentions but given up. I could use it for taking lecture notes. Or a diary. Something like that.  On the first, the only used page, was a recipe.

  Bat Soup.   Saute five or six small bats in butter till the wings are crisp.  Heat some bat stock in an iron pot. Its lid must be heavy enough to keep the bats inside.  Fine chop a small onion and some mushrooms or carrots.  Add all these ingredients to the stock. Season with salt, pepper and a little curry powder to taste.  Do not use garlic. Bats abhor garlic and even a pinch will kill them.  Simmer for twenty minutes. Serve hot when The Count has finished with The Pink.  If you don't like live bats, even hot ones, hang a string of garlic cloves round your neck. The Health and Safety Executive have suggested that diners should keep some Silver Bullets handy. A stake through the heart would be preferable.

  Underneath her recipe Grandma had written, "Lucy, Be Warned." 
  I cried for a long time.



Sunday, 6 March 2011

The photgraph here, courtesy of Mr. Jacob Lucas, is today's prompt from One Stop Poetry.


Plagairise! Plagairise!

Just look at that!  If all the world's a stage,
where are the infants, schoolboys, lovers, ghosts
witches, soldiers, judges, pantaloons
and shrill toothless old gits? Their revels are
just starting is my guess. They're backstage, drunk
on spirits Prospero said dreams are made of.
Maybe in cloud capped palaces they hoped
to make with a bare bodkin quietus
had Props not left the bodkins on a bus?

And if the play's the thing wherein to catch
the conscience of the King, where is the King?
Plenty of kings to choose from. Try inside
that clapped-out wardbrobe, looking tired, stage right.
Two Richards. John. A clutch of Henrys. Lear.
Don't say they're all afflicted with stage-fright?
Has conscience made base cowards of them all?
Enter with hautboys! Each play's just five Acts small.

The audience doze and yawn, longing to end
the heartache and the thousand natural shocks
boredom is heir to.  They'll shuffle off back home,
with chip suppers devoutly to be wished,
to sleep perchance to dream and by a sleep 
forget soliloquies that Shakespeare takes 
so long to reach the point of.  Life's too short.
Plays are for weirdos, fruitcakes, cranks.
The curtain falls. For this relief, much thanks.

(With apologies to As You Like It, The Tempest, Hamlet, The Scottish Play, the History Plays, King Lear and the master poet who wrote them . . . )

Poetry Bus. 7th March.

Peter Goulding dons the Bus Driver's uniform this week and steers us towards three prompts, one of which is to compose a rondeau, the example he gives being John McCrae's World War 1 poem "In Flanders Fields". I'm sure many writers will produce examples more hauntingly beautiful than McCrae's, or mine here. Others will miss the point completely.

First Class Tickets Only on This Bus!

We're wonderful! Let us agree
each sonnet, haiku, etheree
airing our self-pitying dirges
or priapic faux erotic urges
"awesome" they are, collectively.

For certain you will never see
"Your poem mopes! Your verse is twee!"
"Empty of thought! "It limps. It splurges"
It's wonderful!

Worthwhile "critique" can never be
part of the comment-recipe.
For sure all such would fall to purges
by "comment moderated" surges
of "Please don't prick my vaniteeeee!
I'm WONDERFUL!"

Tuesday, 22 February 2011

Poetry Bus 28th February


Linda Darnell as Amber St. Clare in the Otto Preminger film "Forever Amber" (1947)
based on Kathleen Winsor's (1944) bodice-ripper.

"FOREVER AMBER" FOREVER!

Ms. Winsor, having read "Gone With the Wind"
churned out a saucy manuscript.  She sinned!
You'd think she'd need a handcart, nothing less
to haul four thousand pages to the press.
I guess she felt she needed sprawls of space
to pop the eyes of tightlipped readers faced
with sixty carnal acts of intercourse,
thirty-nine misplaced conceptions, forced
abortions seven and – horrors! – the stench
of scenes where Restoration wenches wrench
their kit clean off for chaps with cash to spare.
One such was Amber. Miss Amber St.Clare,
an orphan lass intent on "getting there."

Can we trust these figures? Sure we can!
One State Attorney General – pious man -
counted and broadcast them! Thus told,
three million copies in quick time were sold.
Ms. Winsor's tome was banned in fourteen States
(Doubtless the Mild Midwest, which procreates
by kindly looks and handshakes, whereas most,
wasting themselves from coast to shining coast
can't bear arms when they wake up shagged-out wrecks
from UnAmerican Activities like sex.)

But Amber's in London! In sixteen-sixty-six
all Englishmen's minds rose above their pr**ks.
The plague was rife! The City went on fire!
Mayday! Mayday!  Could this be Amber's pyre?
Does Winsor's red-hot tale burn down St.Paul's
while Good King Charlie holds his courtly Balls
and many an unmaidened maiden sadly weeps
after an evening visit from Samuel Pepys
who through her chamber window tries to clamber
hoping to find a sport like Mistress Amber?
Alas, alas, the World's Forever Thus
(Excepting those with tickets for the Bus.)

Preminger filmed "Forever Amber" latterly -
Which no doubt paved the way for "Lady Chatterley"
(If reviled by Auntie Beeb and Uncle Sam,
Frankly, my dears, I do not give a damn.)

Readers note.   I hope this poem will buy me a ticket for the Poetry Bus, driven this week by 120 Socks, who admits to being a learner driver.  Keep away from Amber then, m'dear, even though "Amber" featured in your prompt.


(Kathleen Winsor's ms. was reduced by her publisher to a paltry 972 pages.)

Wednesday, 9 February 2011

Magpie Tales#52

Willow leaves us Magpie's Anniversary prompt this week -




Waiting

Do you remember our stone house
at the road's end, at the moor's edge
where gales raved in the sedges
where the clouds' low architraves
lay in leaden sheets, and the land
waited the primroses' return?

Do you recall the promises
we made, making the windows fast,
locking the door, locking in our words,
safe with the cobwebs and dust,
a promise to return to these
old stones, to rub the windows clean,
restock the shelves, lay warming fires?

The day we named has passed.
Rain drifts down from the distant hills.
I make my hands do their small tasks,
try not to wonder where you are.

Friday, 4 February 2011

Friday Flash Fiction. 3rd. February 2011

G-Man's prompt suggests a technology theme today


“About your Patent Application, Mr. Humdinger.”
“Yes?”
“I follow the general idea. Battery. Motor. Gears driving a cam that works two connected cranks.”
“Right so far.”
“I can figure how it oscillates.  But the size 12 hiking boot? What’s that for? What IS this machine?”
“It’s a Self-Drive Ass-Kicker. Runs all weekend on one charge.”

(55 words)
-----------------------------------
These prompts with very tight word limits (sometimes character limits) seem to me to give writers very useful practice in condensing and editing.  Thanks, G-Man.  Have a K-A W yourself!

Thursday, 3 February 2011

Microfiction Monday #68

Excellent practise in editing by trying Stony River's (Susan) Microfiction Monday where we have only 140 characters including spaces to tell the story in this picture.



Ben:  Write Mayday message on t’box! Put t’lifebelt on t’soap! Throw them in t’sea!”
Jake: You been castaway too long. You’re losin’ it!”

(140 characters)